![]() ![]() His debut role in Rome in 1920 was King Mark in Wagner’s Tristan e Isolde (in Italian). ![]() When the war was over, the career gathered momentum, and since Pinza learned all his roles by rote, he never did actually learn to read music. He made his operatic debut in Cremona in the role of Oroveso in Bellini’s Norma in 1914, but shortly thereafter both his career and his studies were interrupted by World War I and military service. His father, however, recognizing the beauty of his natural voice, encouraged him to study at the local conservatory and go on to the Liceo Musicale in Bologna. He is probably best remembered by today’s audiences, through the original cast recording of Rodgers and Hammerstein’s South Pacific, as the creator of the role of Emile de Becque (“Some Enchanted Evening”) for which he was awarded the 1950 Tony® for Best Actor.įortunato Ezio Pinza, his parents’ seventh child and their first to survive, grew up in Ravenna and intended at first to be a civil engineer. Stamford, CT, USA, May 9, 1957) was one of the most brilliant international opera stars of the mid-twentierth century. Handsome, velvet-voiced, and with a magnetic personality, Italian basso cantante Ezio Pinza ( b. ![]()
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TicketNetwork is the best place to find tickets to that concert you want to cross off of your bucket list. ![]() ![]() #Use for low-quality -rtsp_transport tcp -i 'rtsp://'$IP'/user=admin&password=&channel=1&stream=1.sdp' -f image2 -vframes 1 -pix_fmt yuvj420p /volume1/Downloads/Snapshots/deurbel-$today.jpeg #Use for -rtsp_transport tcp -i 'rtsp://'$IP'/user=admin&password=&channel=1&stream=0.sdp' -f image2 -vframes 1 -pix_fmt yuvj420p /volume1/Downloads/Snapshots/deurbel-$today.jpeg ![]() ![]() If ping -c 1 $IP > /dev/null then #Grab snapshot from RTSP-stream #Let the old doorbell ring: this is the old KaKu doorbell with the 2 receivers Rtsp://192.168.178.10/user=admin&password=&channel=1&stream=0.sdp: Input/output errorĪnd this is my -rtsp_transport tcp -i 'rtsp://192.168.178.10/user=admin&password=&channel=1&stream=0.sdp' -f image2 -vframes 1 -pix_fmt yuvj420p /volume1/homes/admin/doorbellcam/Public/doorbell_snapshots/$today.jpeg T2 = os.time/include/ffmpeg' -arch=armada -target-os=linux -cross-prefix=/usr/local/arm-marvell-linux-gnueabi/bin/arm-marvell-linux-gnueabi-enable-cross-compile -enable-optimizations -enable-pic -enable-shared -disable-static -enable-version3 -enable-encoders -enable-pthreads -enable-libmp3lame -disable-swscale-alpha -disable-postproc -disable-ffserver -disable-ffplay -disable-bzlib -disable-altivec -disable-decoder=amrnb -disable-indev=alsa -disable-outdev=alsa -disable-encoder=zmbv -disable-encoder=dca -disable-encoder=ac3 -disable-encoder=ac3_fixed -disable-encoder=eac3 -disable-decoder=dca -disable-decoder=eac3 -disable-decoder=truehd -disable-doc TimeBetweenPresses = 30 -time that needs to be between presses (in seconds), before os.execute line is ran again Script needs a Domoticz uservariable called 'DoorbellPreviousPress' of type 'String' Script_device_doorbell_a (i have it in Select all - script_device_deurbel_a The snapshot.sh is triggered by a Lua script: FFMPEG RTSP CAPTURE IMAGE INSTALLSo if you don't have a suitable 'ffmpeg' on your Synology NAS, you can install the 'Media Server' package without even loading your CPU, because the package doesn't have to be running Sh -u PUSHOVER_USERKEY -a PUSHOVER_APPKEY -q "Doorbell" -m "Doorbell has just been pressed, but image is unavailable because camera is ofline"Īccording to 'kraades' on Tweakers, the package won't autostart at boot if you stop it manually. Sh -u PUSHOVER_USERKEY -a PUSHOVER_APPKEY -q "Doorbell" -m "$today.jpeg"įind /volume1/homes/admin/doorbellcam/Public/doorbell_snapshots/ -name '*.jpeg' -mtime +7 -delete #Grab snapshot from -rtsp_transport tcp -i 'rtsp://'$IP'/user=admin&password=&channel=1&stream=0.sdp' -f image2 -vframes 1 -pix_fmt yuvj420p /volume1/homes/admin/doorbellcam/Public/doorbell_snapshots/$today.jpeg #Ping IP-address of camera to see if it's online, otherwise we don't have to grab a snapshot Today=`/bin/date '+%d-%m-%Y_%H-%M-%S'` #Used to generate filename Maybe as a workaround i can create a cron that deletes the folder every 7 days and creates it again directly. Only thing is that i can't delete files older than 7 days on Dropbox, because that project works via curl and not like a real Dropbox client (where you can browse folders etc). ![]() When running the configuration wizard you need to give the script permissions to your whole Dropbox, otherwise it can't access the 'Public' folder. The 'dropbox_uploader.sh' is this project: FFMPEG RTSP CAPTURE IMAGE OFFLINE#Delete previous taken snapshots older than 7 daysįind /home/pi/deurbel/snapshots -name '*.jpeg' -mtime +7 -deleteīash /home/pi/deurbel/pushover.sh -u YOUR_USERKEY_HERE -a YOUR_API_KEY_HERE -q "Deurbel galerij" -m "Net aangebeld, plaatje niet beschikbaar omdat cam offline is" #Send pushnotification with URL to snapshotīash /home/pi/deurbel/pushover.sh -u YOUR_USERKEY_HERE -a YOUR_API_KEY_HERE -q "Deurbel galerij" -m "$today.jpeg"īash /home/pi/deurbel/dropbox_uploader.sh upload /home/pi/deurbel/snapshots/$today.jpeg /Public/deurbel_snapshots/$today.jpeg If ping -c 1 $IP > /dev/null then # if IPCAM is online then:Īvconv -rtsp_transport tcp -i 'rtsp://192.168.4.20/user=admin&password=&channel=1&stream=0.sdp?real_stream-rtp-caching=100' -f image2 -vframes 1 -pix_fmt yuvj420p /home/pi/deurbel/snapshots/$today.jpeg ![]() ![]() ![]()
Clicking it will let you add an image to that individual (you can also open the individual's profile and click the "pictures/files" tab) but don't try to add more than one file at the same time or an error will occur. In the top left corner is a spot for an image of the individual. In the upper right corner it lists the last person you view so you can easily jump back, useful if you have a big tree. ![]() Clicking on a blank one allows you to add a child (in addition to being able to add a child from someone's profile). To the left of the pedigree is where the list of children for that individual is displayed. Yes, that's a picture of me from my wedding. Additionally, the white box displays all the info with only commas separating the different details.Īdding media. It displays as a text box with a blinking text cursor if you click on it but you can not actually edit the details here, you must click on the pencil icon. ![]() Above the pedigree, it displays the individual's details in a white box, which is rather sloppy. So initially, we only input the parents' names, now we can click on each one and input their vital data. Clicking on any name in the tree will move the pedigree view to center on that individual and from there, clicking on the pencil icon above their name will open their profile where you can add or edit details. Once you've input some initial names, clicking the check mark then creates a tree in a pedigree view. Under the partner tab it allows you to enter details of when and where they were married. There are further tabs for inputting siblings, partner, children, etc. After entering both father and mother names, it asks you if they are married to each other. You can untick "show again" so the alert doesn't come up again but it still creates a new window for you to enter or edit parents' names, which is strange and unnecessary in my opinion. Strangely, when clicked the text field to enter their names, instead of just being able to type them straight in there, another window pops up saying "No father registered! Register father now?" Click "yes" and then another window pops up allowing you to type the names there. The lower part of the window has the option to add your parent's names. There doesn't seem to be an option for an alternate name fact. The name tab allows you to add a title, suffix, or nick name. The person tab is where you type in vital data like birth, death, and gender - and you can also enter an occupation here. The upper part of the pop up window has two tabs, one for "Person" and one for "Name". Clicking on "New" opens a pop up window where you can fill in the details of the person you wish to start your tree with - probably yourself. It is initially pretty straight forward and intuitive. You can select "Open" to open an existing gedcom, or you can click on "New" and start a new tree. When you open it, it will have a blank work space with options along the toolbar at the top. Ahnenblatt english help file update#The creator of Ahnenblatt continues to update it, with the lately version 2.83 being last updated October 16, 2014. Ahnenblatt english help file software#Though this software is created by a German, it is available in English (as well as many other languages too) and "Ahnentafel" is the word used even in English genealogy for a report which lists one's ancestors (the opposite of a descendant report which lists one's descendants). The prefix "Ahnen" comes from the German word "Ahnentafel" which basically means "Ancestor chart". Ahnenblatt english help file full#If you're not interested in reading my full review, scroll down the bottom where I list the pros and cons, give a conclusion summary, and a rating. I will work in alphabetical order and include lesser known software. I thought it might be beneficial if I were to review them each. Ahnenblatt english help file free#Many newcomers to genealogy don't yet want to spend money on a family tree program, which is understandable, so they want to know which free software is the best. ![]() ![]() ![]() What do you think of those sort of approaches? RATH: I've heard of people wanting to use this technology in other ways beyond subtitles - things like feeding out information about what's going on in the stage or even being able to show close-ups of soloists on the devices. And I have to say, I was more apt to be bothered by, you know, people opening their bottles too loudly or talking to the person next to them than the screens. So as you look down on the completely dark audience, I expected to see a lot of glow, and there just simply wasn't any. And because this format uses white text on a black screen, there's almost no screen bleed. And I actually went up to the Loge and looked down over. It was completely dark out there on the lawn. WITMAN: Well, we did - one thing going into that because we had the same question, the same concern. All those little screens glowing - it's going to take away from my experience enjoying the show. RATH: Now a lot of people would say that, well, this is going to be disruptive. But really, Glass is the beginning of a technological development that will really make supertitles much less clunky and easier to integrate. Of course, we wanted to expand the footprint a little bit and make it available as an experiment to other users, hence the mobile device integration. ![]() WITMAN: And that was the inspiration behind the whole thing. And those are the people using the Google Glass because they did have the same cut outs that those of us who were using the Wi-Fi devices did, but there was something about being able to watch the opera, not take their attention off the stage the whole time and have the titles there that was really great. RATH: Now I should say that the people that I - there were people that I talked to who were most excited about it. ![]() So we actually had to go down for about 10 minutes, and then come back up and continue. But the amount of usage pushed us a little beyond that. And we had assessed all of that, and sort of knew what our sweet spot was. There's a lot of other Wi-Fi happening there at the park. There were challenges, of course, in knowing which frequencies they were going to use and which band they were going to be on. We didn't think we'd have almost 500 users, but we did. And, actually, we were a bit of a victim of our own success. WITMAN: Well, I just received the text back - the tech report right now. The signal would go out, and sometimes it wasn't quite synced up. RATH: Now at the performance on Friday night, things were a little bit buggy. So I did get a pair of Glass and the ideas just started flowing from there. I received an invitation to become an explorer. All of this was the outcome of brainstorming that we had that was sort of precipitated by that technology and other technologies. Was that one of the things that inspired you to try this? RATH: I read that you had experimented with Google Glass. KIM WITMAN: I think the larger aim, especially from the standpoint of those of us in the classical music industry, is to find a way to give texture and context to the things that we do so that it feels a bit more integrated into 21st century life, and the kinds of tools and techniques that people are using in the rest of their lives. And when she stopped by our studio, I asked her to explain the larger aim of bringing new technology into the concert hall. RATH: Kim Witman is the director of the Wolf Trap Opera. GREG HAMEL: Well, numbers don't matter 'cause it's not working very well, even with the multiple devices. Greg and Judy Hamel (ph) had two iPhones and two iPads between them. And for most of the first half, I couldn't get the subtitles to work. On Friday night, at the open-air concert hall Wolf Trap in Virginia, a whole section was set up as a wireless hotspot during the performance of the opera, "Carmen." It was the first large-scale test of a new technology to deliver subtitles to the audience. Some concert venues have actually opened the door to mobile devices. But the concert hall- surely that's the one place where it's completely unacceptable to pull out that iPhone, right? Well, no. I'm Arun Rath.Įvery day, it seems that more places are invaded by mobile devices. ![]() |
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